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电影《达芬奇密码》的多模态话语分析(3)

时间:2025-07-05   来源:未知    
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黑龙江大学硕士学位论文

Abstract

Asthescienceandtechnologyadvancequicklyandtheinternetextensivelyin

andmultimedia

are

use,Multimodality

hasbecomean

integratepartofeverydaylifeinthe

worlddominatedbyvisualculture.Theinformationcommunicatednotonlythroughthe

monomodal

textbutalsothrough

on

themultimodaltextsuchastheaudio

and

video,thus

inevitablytheresearchesCriticalDiscourse

themultimodaldiscoursebecome

Discourse

trend.Aspartof

Analysis,Multimodal

Analysis

and

isexplored

and

probed

underthetraditionofSystemicFunctionalGrammartheseresearches,themostrepresentativeisthe

SocialSemiotism.Among

byKress&

VG(VisualGrammar)setup

to

Leeuwen(1996,2006),however,theirresearchesarelimitedO’Halloran(2004)triedandmade

up

thestatic

images.

textset

tosetupa

detailedframeworkofMDAsystemofmovie

tentativeexperimentwithtwoscenes.Baldry&Thibault(2000,2004)also

video.TheMDA

frameworkforMDAoftheadvertisement

ofmovietextis

notonly

consideredtobe

difficultandcomplexsubject,becauseitinvolves

multiple

semioticmodalsystemsandtheirinterplay,butalsothechangesofthesesysteminthe

processofmeaningconstructionundertheresearches

on

flowofdynamic

sense

text.Therefore,the

MDAofmovies

text

makegreatbothpracticallyandtheoretically.

Based

on

theVGbyKress&Leeuwen(1996,2006),inspiredbytheframework

providedbyO’HalloranfortheMDAofmovietext,This

paperhas

made

MDAof

the

fourshotsselectedfromthemovieTheDaVinciCodebyanalyzingtheconstituent

andthecounterpart

ofthenovel

of

frames

withthehelpoftheproposed

withthe

framework

as

MDA

ofmovietext.Andthisthesis

makesexperiments

meaning

subjects

theunitof

analysis,commonparameters,thedynamic

textmeaning.

construction

andthecomparative

Keywords:

multimodaldiscourseanalysis;visualgrammar;moviemetafunctions

text;frame;

Il

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