Notes
1. Peter Childs, The Fiction of Ian McEwan (Palgrave Macmillan, 2006),
129.
2. John Updike, “Flesh on Flesh”, New Yorker (13 March 2002), 80.
3. http://www.randomhouse.ca/catalog/display.pperl?isbn=978030739678
5
4. Patricia Waugh. Metafiction: The Theory and Practice of Self-Conscious
Fiction, (New York: Methuen 1984), 5.
5. ibid, 2.
6. Stanley Fogel, “ And All the Little Typtopus : Notes on Language Theory in
the Contemporary Experimental Novel”, Modern Fiction Studies, XXX (1974) 328-336.
7. Scholes Robert, “metafiction”, The Lowa Review, 1, Fall (1970), 100-15.
8. Patricia Waugh, Metafiction: The Theory and Practice of Self-Conscious
Fiction, (New York: Methuen 1984), 21.
9. ibid, 18-19.
10. Rene Welleck, “Some Principles of Criticism” The Critical Moment
(London: Faber &Faber, 1963), 41.
11. http://www.randomhouse.ca/catalog/display.pperl?isbn=978140002555
12. Ian McEwan, Atonement (New York: Anchor Books, 2007), 5.(All the
quotations in this thesis refer to this book, unless otherwise stated.)
13. Pilgar Hidalgo, “Memory and Storytelling in Ian McEwan s Atonement”,
Critique: Studies in Contemporary Fiction (46:2) 2005 Winter, 82.
14. ibid, 82.
15. Ian McEwan, Black Dogs (UK: vintage, 1992), 140.
16. Shone Tom, “White Lie”, The New York Times, March 10, 2002.
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